This line consists of six different shades, including white, suitable for any skin type, both as standalone pigments and when mixed with the AREOLA Line.
Perfect for Fitzpatrick skin types 1 and 2. To lighten the tone, add a few drops of white pigment. For creating intermediate tones, mix in different proportions with any shade from the palette. We recommend adding a diluent (1-3 drops) for camouflage techniques.
Ideal for cool undertones of Fitzpatrick skin type 2. Can be mixed with shades 2+3 from the palette. We recommend adding a diluent (1-3 drops) for camouflage techniques.
Perfect for Fitzpatrick skin type 3. Suitable for tanned skin and Asian skin tones. We recommend adding a diluent (1-3 drops) for camouflage techniques. This shade is also recommended for toning areolas, for example, mixing with AREOLA shades #1 Caramel and #3 Muted Brown.
Suitable for light skin tones of Fitzpatrick skin types 1 and 2. To lighten the tone, add a few drops of white pigment. For creating intermediate tones, mix in different proportions with any shade from the palette. This shade is suitable for adding to other tones in the camouflage set. We recommend adding a diluent (1-3 drops) for camouflage techniques.
The most saturated shade in the line. This shade is suitable for camouflage techniques on tanned skin. In pure form, it is ideal for Fitzpatrick skin types 4 and 5. You can add it to darken any shade from the camouflage palette to create intermediate tones. It pairs perfectly with camouflage tone #3 Beige Yellow.
The most saturated shade in the line. A universal white pigment. The real consistency and composition of this pigment allow easy and even application on the skin without fear of color inversion. When using this pigment in camouflage techniques, we recommend adding mixing agent in an amount of 2-3 drops into the cap. This tone is used to lighten dark circles under the eyes, to lighten any pigment shade, to camouflage pigmentation, and also in the technique of drawing 3D breast areolas.